In “Based on a True Story,” Will Smith confronts it all — the marriage, the slap, the backlash, the fall, the faith. And yes, he curses.
Why it matters: This isn’t just Smith returning to rap after 20 years. It’s a public reckoning — pain, shame and spiritual recalibration — set to gospel chords, booming drums and a hunger that recalls his rap roots and evolution as a man.
- It’s also a reminder — especially for younger listeners — that before the Oscars, Emmys and red carpets, hip-hop was his first love.
The big picture: Smith’s fifth solo album is undoubtedly his most daring work of artistry since his 2021 memoir, “Will.”
- This isn’t the squeaky-clean Fresh Prince. It’s the story of a man whose life has unfolded before a live audience — every win and failure in real time.
- That’s why it matters that he curses. Smith, long known for clean, polished rhymes, now sounds like a man confronting himself, his critics, and his choices — unapologetically.
Yes, and: Smith reconnects with DJ Jazzy Jeff on this album.
- Smith has five albums with Jeff as DJ Jazzy Jeff & The Fresh Prince, including “He’s the DJ, I’m the Rapper” (1988), which earned them the first-ever Grammy for a rap performance.
- Their chemistry is still there; this time, it’s more profound. This isn’t about party anthems. It’s about trust, legacy, and returning to the blueprint to rebuild from the ruins.
What he’s saying: Will Smith told the Associated Press he spent the past two years in deep self-examination after “reaching the end of his bandwidth.”
- “Every song is about some part of myself that I discovered or wanted to explore, something I wanted to share,” Smith said. “It’s the most full musical offering that I’ve ever created. My challenges and my obstacles and my difficulties are actually divine curriculum.”
He described “Based on a True Story” as the first in a trilogy of albums — “seasons” shaped by faith, resilience and introspection.
Friction Point: Smith leans into this and snaps with the mic from the intro, which plays like a chorus of online critics and late-night monologues.
- “Who the f* Will Smith think he is? / And that boy damn crazy / How you raising them kids?”
- “He won the Oscar, but he had to give it back / And you know they only made him do that sh*t ’cause he’s Black.”
- “Bottom line y’all — Will Smith is wack. / I mean, he rich, funny, and sexy too / You wish you had a Jada and been next to you.”
- “One classic album — what that make him, Jay-Z? / Jay-Z plus movies and TV.”
- “He gonna drop a new record like we all won’t forget / He need to take another year and untangle some sh*t.”
He doesn’t dodge the criticism — he samples it.
State of Play: Smith leans harder into storytelling than he ever has — trading in the snappy, commercial hooks of his pop-rap era for richer, more emotionally layered tracks and some collaborations that push him lyrically.
- “Beautiful Scars” (feat. Big Sean) stands out, with Smith matching Sean’s witty lyricism.
- “Hard Times (Smile)” and “Bulletproof” nod to his commercial roots but carry more emotional grit.
- And “You Can Make It” — a Billboard Gospel No. 1 — blends sermon and redemption, anchoring the album’s spiritual core.
The Philly native was honored this week when a stretch of 59th Street near Overbrook High was renamed Will Smith Way. He also received a key to the city and rang the bell at a Sixers game.
- The city that raised him is honoring the man he’s become — just as he’s reintroducing himself through his most personal work.
💭 My thought bubble: This isn’t “Gettin’ Jiggy Wit It” Will Smith. It’s a clash between the Fresh Prince and the flawed man he has become over the past two decades — rooted in vulnerability and enhanced by the storytelling that once distinguished him in rap.
- Dare I say — the prince has grown into a king.